“Technique as Recovery: Lolita and Mother Night.” Vonnegut in America: An Introduction to the Life and Work of Kurt Vonnegut. The Anti-Hero in the American Novel: From Joseph Heller to Kurt Vonnegut. The Conflict of Interpretations: Essays in Hermeneutics. The Novels of Kurt Vonnegut: Imagining Being an American. “Evolutionary Mythology in the Writings of Kurt Vonnegut, Jr.” Critique 46.4 (2005): 383–96. “‘Who Am I This Time?’ Kurt Vonnegut and the Film Mother Night.” Literature/Film Quarterly 31.3 (2003): 231–36. “Vonnegut the Essayist.” At Millennium’s End: New Essays on the Work of Kurt Vonnegut. “Mother Night, Cat’s Cradle, and the Crimes of Our Times.” Critical Essays on Kurt Vonnegut. The Comedian as Confidence Man: Studies in Irony Fatigue. “Narrative, Self, and Morality in the Writing of Kurt Vonnegut.” At Millennium’s End: New Essays on the Work of Kurt Vonnegut. Kurt Vonnegut’s Crusade or, How a Postmodern Harlequin Preached a New Kind of Humanism. Eastman, Adapted from the original text, Are You My Mother, by P.D. “Evil in the Value-System of Art.” Geist and Zeitgeist: The Spiritual in an Unspiritual Age. The night Max wore his wolf suit and made mischief of one kind. Adapted from the original text, Are You My Mother, by P.D. It is only in the last year that Jessie has gained control of her mind and body, and tonight, she is determined to hold onto that control. New York: State U of New York P, 2001.īroch, Hermann. Apby ArtBlogger Night Mother -Marsha Norman Characters JESSIE CATES Jessie is in her late thirties or early forties, pale and vaguely unsteady, physically. At Millennium’s End: New Essays on the Work of Kurt Vonnegut.
London: Faber, 1963.īoon, Kevin Alexander, ed. Eichmann in Jerusalem: A Report of the Banality of Evil. What does lois mean by, I could see from my mothers face she had not come around READ AND DISCUSS. This process is experimental and the keywords may be updated as the learning algorithm improves.Īrendt, Hannah. These keywords were added by machine and not by the authors.
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The narrative purports to be the confessions written by him while awaiting trial in Israel, evoking a haunting yet elusive concept of evil that permeates the narrative and one’s sense of its protagonist. During World War II, Campbell had broadcast for the Nazi regime on German radio to an international audience, offering numerous racist invectives as part of his propaganda.
Vonnegut’s narrative focuses on a potential war criminal, Howard W. As a small part of that process, this essay deploys various theoretical-conceptual and critical sources to analyze Mother Night (1961), published as a paperback original almost forty-eight years ago, which as Jerome Klinkowitz explains in “Vonnegut the Essayist,” was part of the author’s effort as a jobbing writer “to make money when the family weeklies reduced their story acquisitions” (4). The recent, much lamented death of Kurt Vonnegut, an iconic American author celebrated throughout the world, ought to have initiated a broad reconsideration of his life and work.
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